Daddio (#569)
I honestly don't remember the last time I saw two films in a row and liked them both very much. I thought Ghostlight was excellent; but the movie I saw today bordered on remarkable. How can a movie with a ridiculous title like DADDIO be so darn good? It is a two person conversation in a taxicab headed from JFK airport to a destination in midtown NYC, and despite the fact that it is an hour and 41 minutes long, it never falters, never bores and never loses its spontaneity. The cab driver, played by Sean Penn in what I believe is about his finest performance, and his young passenger, played by Dakota Johnson, are just plain brilliant. Their endless conversation in this taxi ride, interrupted by a massive traffic jam caused by what looks like a horrendous accident, is intimate, salacious and revealing, with appropriate foul language. Penn is a worldly, brazen and outspoken character who is part philosopher, part psychiatrist, part snooper, and he's very good at all three. Through his probing and through her texting while all this is going on, we learn among other things, that she's an almost decades long resident of the city, originally from Oklahoma, is returning from a trip there to visit her half sister and is having an affair with an older married man whom she admits to calling Dad. The movie is well written and directed and pulls no punches in revealing more than we might want to know. I am so happy that I did not avoid this movie based on its ludicrous title. Not everyone may like this one as much as I did, but that's why some movies make it snd others don't. 80% of critics (with the notable exception of The New York Times) praised it along with 57% of audiences, which reinforces my previous statement.
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