A Haunting in Venice (#464)


I have been a fan of Hercule Poirot for a very long time and because of that, probably saw most of the movies and TV shows with him as the central character.  Bottom-line is, I preferred reading the books and short stories to seeing him on the big screen or tv.  Kenneth Branagh is a talented actor and director, but he ain’t no Poirot.  His latest effort, A HAUNTING IN VENICE, is dark but entertaining and not all that scary.  In this one, Poirot is happily retired in Venice but tracked down by an acquaintance, a very successful British crime story novelist, Ariadne Oliver, who has appeared in several of Christie’s works.  She implores him and he reluctantly agrees to attend a seance in a very dark, falling apart palazzo, and one of the guests is murdered.  As in most Poirot adventures, virtually everyone is a suspect, snd Poirot takes us to a solution in his lengthy meticulous way.  When we are out of doors, the scenes of beautiful Venice made me long to return there.  Two things bothered me.  Why did they cast Tina Fey as the British novelist even with a reasonably good accent?  There are so many fine English actresses who wouldn’t have had to fake it.  And while Branagh is very good in whatever role he plays, he sometimes sounds like a mumble mouth with his overdone what sounds like a French accent (even though Poirot is from Belgium).  78% of critics and 77% of audiences gave it a thumbs up.  It was obviously expected to be a big hit with 16 showings a day scheduled for my theater, but at 12:30 today, there was only one couple attending with me. 

Comments

Most Popular

The Fabulous Four (#580)

Civil War (#541)

Taylor Swift: The Eras Tour (#473)

Oddity (#579)

Monkey Man (#539)